Interactive AI-driven dramaturgy for adaptive stage narratives | Blazingprojects Postgraduate Thesis
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Interactive AI-driven dramaturgy for adaptive stage narratives

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of the Study
  • 1.3Statement of the Problem
  • 1.4Aim and Objectives of the Study
  • 1.5Research Questions
  • 1.6Research Hypotheses
  • 1.7Significance of the Study
  • 1.8Scope and Delimitation of the Study
  • 1.9Limitations of the Study
  • 1.10Organisation of the Study
  • 1.11Operational Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Conceptual Review: Interactive AI-driven Dramaturgy Concepts and Definitions
  • 2.2Theoretical Framework: Actor-Nenery Interaction Theory and Computational Narrative Theory
  • 2.3Theoretical Framework: Embodied Cognition in Interactive Stage Systems
  • 2.4Empirical Review: Case Studies of AI in Live Performance and Stagecraft
  • 2.5Empirical Review: Audience Engagement in AI-Adapted Narratives
  • 2.6Empirical Review: Real-Time Decision-Making in Theatrical AI
  • 2.7Empirical Review: Natural Language Processing for Stage Dialogue Generation
  • 2.8Empirical Review: Computer Vision and Scene Coordination in Stage Production
  • 2.9Empirical Review: Human-Computer Collaboration in the Arts
  • 2.10Empirical Review: Ethics, Bias, and Legibility in Stage AI Systems
  • 2.11Gaps in the Literature Addressed by AI-Driven Dramaturgy
  • 2.12Conceptual Model: Schematic Overview of Adaptive Stage Narratives

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design: Multimodal Mixed-Methods for Interactive Dramaturgy
  • 3.2Philosophical Paradigm: Pragmatism and Constructivist Underpinnings
  • 3.3Population of the Study: Theatre Makers, Technologists, and Audience Members
  • 3.4Sample Size and Sampling Technique: Purposive and Convenience Sampling for Stakeholder Voices
  • 3.5Sources and Instruments of Data Collection: Interviews, Observations, Prototyped Performance Demos, and System Logs
  • 3.6Validity and Reliability of Instruments: Triangulation and Expert Panel Validation
  • 3.7Data Analysis Methods: Thematic Analysis, Real-Time Performance Metrics, and Narrative Coding
  • 3.8Model Specification: Adaptive Dramaturgical Framework and System Architecture Diagram
  • 3.9Ethical Considerations: Informed Consent, Safety, and Intellectual Property 3.10Procedures for Pilot Study and Iterative Refinement

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • ANALYSIS AND DISCUSSION OF FINDINGS
  • 4.1Data Presentation: Prototyped System Usage Scenarios and Demo Sessions
  • 4.2Descriptive Analysis: Stakeholder Profiles, Attitudes, and Collaboration Patterns
  • 4.3Hypotheses Testing: Impact of Real-Time AI Adaptation on Audience Engagement
  • 4.4AI System Performance Metrics: Latency, Coherence, and Responsiveness
  • 4.5Thematic Findings: Dramaturgical Control, Narrative Coherence, and Ethical Guardrails
  • 4.6Interpretation of Results: Alignment with Conceptual Frameworks
  • 4.7Comparison with Prior Literature: Convergences and Divergences
  • 4.8Discussion of Findings: Implications for Practice and Theory

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • CONCLUSION AND RECOMMENDATIONS
  • 5.1Summary of Findings
  • 5.2Conclusions Drawn from the Study
  • 5.3Contribution to Knowledge: Advancing Interactive AI-Driven Dramaturgy
  • 5.4Practical Recommendations for Creators and Technologists
  • 5.5Recommendations for Further Studies

Thesis Abstract

The emergence of interactive AI-driven dramaturgy promises to redefine stage narratives by enabling real-time, audience-responsive dramaturgical systems that adapt character behavior, plot progression, and visual storytelling to dynamic audience input and performance context. This study addresses the problem of rigid, linear staging in traditional theatre and the need for scalable, transparent AI mechanisms that support coherent adaptive dramaturgy while preserving artistic integrity. The aim is to develop and evaluate a computational framework that integrates machine learning, affordance-based scene planning, and rule-based dramaturgy to produce adaptive stage narratives. Specific objectives include (1) designing an architectural model that integrates natural language understanding, emotion-aware character control, and real-time scene planning; (2) implementing a prototype system that synchronizes AI-driven dramaturgy with live performers, stage machinery, and audience interaction; (3) evaluating dramaturgical coherence, audience engagement, and performative quality across multiple performance scenarios; and (4) deriving design guidelines for ethical and collaborative human-AI theatre practice. The methodology combines a mixed-methods research design anchored in computational storytelling, performance studies, and human-computer interaction. The population includes professional theatre practitioners, dramaturgs, and audience members participating in stage readings and controlled performances. A purposive sample of eight professional dramaturgs and four directors, together with two production teams, will participate in iterative co-design workshops to refine the prototype. For empirical validation, two full-length performances will be staged in a mid-sized theatre space with a total audience of approximately 260–320 per night, providing 520–640 audience data points across two runs. Data collection instruments comprise (i) system logs capturing AI-driven decisions, cue generation, and latency metrics; (ii) director and performer journals and post-show interviews; (iii) a 30-item dramaturgical coherence scale and a 5-point Likert audience engagement survey administered to attendees after each performance; (iv) thematic interview guides for qualitative insights; and (v) an expert review rubric assessing artistic quality, narrative continuity, and technical reliability. Data analysis employs a convergent mixed-methods approach. Quantitative data will be analyzed through regression analysis to assess relationships between AI decision latency, narrative coherence scores, and audience engagement; time-series analysis will examine how adaptive cues influence scene progression over performances. ANOVA will compare coherence and engagement across performance modes (static vs. adaptive). Qualitative data from interviews and journals will undergo thematic analysis to identify emergent patterns in perceived dramaturgical integrity, collaboration dynamics, and ethical considerations, with triangulation against system logs. The study will also apply the Situational Theory of Theatre Engagement to interpret audience responses and incorporate Actor-Nreative Theory to evaluate character believability under adaptive control. A conceptual model of the adaptive dramaturgy framework will be proposed, detailing inputs (audience signals, performer state), processes (narrative planning, cue generation, motion control), and outputs (dialogue, blocking modifications, lighting cues). Expected findings include (a) evidence that latency and coherence management are critical determinants of audience immersion in adaptive narratives; (b) validation that a hybrid AI architecture combining deep learning for interpretation of performer cues with rule-based dramaturgy yields stable and artistically credible adaptations; (c) insight into best practices for human-AI collaboration, including transparency of AI decisions and designer-controllability over narrative trajectories; and (d) a set of design guidelines for ethical considerations, including authorship attribution, performer autonomy, and safeguarding against narrative dissonance. The study contributes to knowledge by operationalizing a scalable, auditable framework for interactive AI dramaturgy, advancing theories of computational storytelling and performance research, and informing design of theatre technologies that balance machine-driven adaptability with artistic agency. It offers practical implications for theatre education, professional staging, and the broader field of AI-enabled narrative systems. Recommendations include extending the prototype to multilingual dramaturgy, exploring real-time audience analytics for more nuanced adaptation, and developing standardized evaluation protocols for AI-assisted theatre to inform policy and practice in creative industries. The expected conclusion asserts that carefully calibrated, transparent AI-driven dramaturgy can enhance audience engagement and narrative richness without compromising artistic integrity, provided that human dramaturgs retain authoritative oversight and clear control over dramatic trajectories.

Thesis Overview

Interactive AI-driven dramaturgy for adaptive stage narratives This thesis explores how artificial intelligence can help theatre-makers create dynamic performances whose narrative and staging adapt in real time to audience input, performer decisions, and environmental cues. The central problem is that traditional stage narratives are fixed once the script is fixed, limiting spontaneity, audience engagement, and the ability to tailor meaning for diverse viewers. The study investigates a practical framework for integrating AI tools into the dramaturgical process without sacrificing artistic control or theatrical coherence. Why it matters: adaptive dramaturgy has the potential to expand what a live performance can mean for different audiences, support rehearsal efficiency, and enable scalable, interactive theatre experiences. It also contributes to broader discussions about human–machine collaboration in the arts and offers methodological guidance for evaluating how AI-assisted dramaturgy affects audience perception, performer agency, and narrative integrity. What the researcher will do (step by step) - Clarify the scope of adaptive dramaturgy by selecting three representative play genres (realist drama, mythic theatre, and experimental performance) and identifying core narrative variables (character arcs, pacing, thematic emphasis). - Develop an AI-driven dramaturgy toolkit that uses machine learning models to propose alternative scene structures, dialogue variants, and cue timings based on audience feedback and live performance data. - Collect data from performances with 60–90-min runtimes across two production cycles, involving roughly 80–100 audience participants per cycle, plus 12 professional actors and 3 directors as expert evaluators. - Instruments: audience response surveys, in-performance telemetry (sensors for tempo, lighting cues, and actor timing), director and actor reflective journals, and AI system logs. - Data analysis: perform thematic analysis on qualitative responses, regression analysis to link audience engagement with adaptive choices, and ANOVA to compare different dramaturgical configurations. Validate the AI model with cross-validation and evaluate narrative coherence through expert ratings. - Synthesize findings into a practical framework detailing workflow, decision points, and governance for integrating AI in live dramaturgy. Expected contribution and outcome: the study will produce a validated, useable framework for AI-assisted dramaturgy that preserves artistic authority while enabling adaptive storytelling. It will provide guidelines for designers, directors, and performers on implementing real-time narrative adaptations and outline ethical considerations regarding authorship, agency, and audience data privacy. The overarching aim is to enable more engaging, inclusive, and resilient live theatre experiences through thoughtful technology integration.

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