Conception, implémentation et évaluation d’un système de recommandation musical robustes | Blazingprojects Postgraduate Thesis
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Conception, implémentation et évaluation d’un système de recommandation musical robustes

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction to robust music recommendation systems
  • 1.2Background of music recommendation research and industry needs
  • 1.3Statement of the problem in robustness and user satisfaction
  • 1.4Aim and objectives of the study in design, implementation, and evaluation
  • 1.5Research questions guiding the system development and assessment
  • 1.6Research hypotheses on robustness, accuracy, and user trust
  • 1.7Significance of the study for academia and music platforms
  • 1.8Scope and delimitation across domains, genres, and user contexts
  • 1.9Limitations of the study and mitigation strategies
  • 1.10Organisation of the study and workflow
  • 1.11Operational definition of terms specific to robust music recommendation

Chapter TWO

LITERATURE REVIEW

  • 2.1Conceptual review: foundations of recommender systems in music
  • 2.2Conceptual review: robustness challenges in content-based and collaborative methods
  • 2.3Conceptual review: user-centric metrics for music recommendations
  • 2.4Theoretical framework: systems engineering approaches to recommender design
  • 2.5Theoretical framework: theory of user trust and transparency in AI
  • 2.6Empirical review: performance of hybrid recommendation models in music
  • 2.7Empirical review: robustness against adversarial inputs and noise
  • 2.8Empirical review: scalability and real-time inference in streaming services
  • 2.9Empirical review: explainability and user experience considerations
  • 2.10Identified gaps in the literature on robust music recommenders
  • 2.11Conceptual model or integrated summary of the literature
  • 2.12Synthesis: implications for design, implementation, and evaluation

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research design: design science research for a robust recommender system
  • 3.2Philosophical paradigm: pragmatic constructivism guiding evaluation
  • 3.3Population of the study: users, datasets, and platform environments
  • 3.4Sample size and sampling technique for user studies and data collection
  • 3.5Sources and instruments of data collection: logs, surveys, and A/B tests
  • 3.6Validity and reliability of instruments in measurement of robustness and satisfaction
  • 3.7Model specification: hybrid scoring, robustness constraints, and evaluation metrics
  • 3.8Data collection process and preprocessing pipeline
  • 3.9Data analysis methods: statistical testing and machine learning evaluation
  • 3.10Ethical considerations in data collection and deployment

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • ANALYSIS AND DISCUSSION OF FINDINGS
  • 4.1Data presentation framework for system logs and user interactions
  • 4.2Descriptive analysis of user profiles, interactions, and item features
  • 4.3Descriptive analysis of robustness metrics across scenarios
  • 4.4Hypotheses testing: accuracy, resilience, and user trust
  • 4.5Interpretation of results in the context of design choices
  • 4.6Discussion of findings with respect to conceptual and empirical reviews
  • 4.7Comparison with baseline and state-of-the-art music recommenders
  • 4.8Implications for the design of robust, explainable, and scalable systems

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • CONCLUSION AND RECOMMENDATIONS
  • 5.1Summary of key findings and their alignment with objectives
  • 5.2Conclusion on the viability and limitations of the proposed system
  • 5.3Contributions to knowledge in robust music recommendation design
  • 5.4Practical recommendations for industry deployment and platform integration
  • 5.5Suggestions for future research directions and extended evaluations

Thesis Abstract

This study addresses the persistent challenge of delivering accurate and robust musical recommendations in environments with diverse user preferences, sparse feedback, and rapidly evolving catalogs. The problem centers on achieving high prediction accuracy while maintaining fairness, resilience to cold-start scenarios, and scalability across heterogeneous listening contexts. The aim is to design, implement, and empirically evaluate a robust music recommendation system that combines content-based features, collaborative signals, and context-aware modeling to improve user satisfaction and engagement. Specific objectives include (1) developing a hybrid recommender architecture that fuses metadata-based representations, latent factors from collaborative filtering, and inter-user similarity dynamics; (2) integrating robust anomaly detection and outlier handling to mitigate manipulation and noise in user interactions; (3) incorporating fairness-aware ranking to reduce algorithmic bias across genres, languages, and demographic subgroups; (4) evaluating robustness under cold-start and data-sparse conditions through systematic perturbations; and (5) assessing system performance across diverse playback contexts (mobile, desktop, offline mode) using real-world streaming traces. The methodology adopts a pragmatic mixed-methods design combining quantitative experimentation with qualitative validation. The research population comprises 2,500 anonymized user profiles drawn from a mid-sized music streaming service, with a stratified sample of 1,000 active users for evaluation and 500 new users for cold-start experiments. A further corpus of 200,000 tracks with rich metadata (genre, tempo, mood, language, release year) complements behavioral data. Data collection instruments include server-generated interaction logs (play, skip, like, add-to-playlist) over a 12-month period, user surveys (n=400) to gauge perceived recommendation quality, and A/B testing dashboards to compare model variants. Instrument validity is ensured through pilot testing and expert review, while reliability is established via test-retest checks on feature extraction pipelines. Analytical techniques center on a hybrid modeling framework and rigorous evaluation. The core recommender employs a multi-tower neural architecture that fuses content embeddings (e.g., MFCC-derived audio features and metadata embeddings) with user- and item-based collaborative signals. A Bayesian personalized ranking objective guides the optimization to balance accuracy and diversity. Robustness is addressed through anomaly-robust loss functions and an outlier-aware calibration layer. Fairness considerations are operationalized via disparate impact analysis and a constrained optimization routine enforcing equalized opportunity across demographic slices. The approach includes a graph-based session modeling component to capture temporal user-context interactions. Model evaluation uses offline metrics (NDCG@10, Recall@20, MAP) and online metrics (click-through rate, completion rate, average listening time) across five experimental conditions baseline collaborative filtering, content-enhanced hybrid, robustified hybrid with outlier handling, fairness-constrained hybrid, and context-aware hybrid. Statistical analyses include regression-based significance testing (ANOVA) to compare variants and effect size estimation, along with ablation studies to quantify the contribution of each module. Thematic analysis of user surveys supplements quantitative findings, focusing on perceived relevance, novelty, and trust in recommendations. Expected findings indicate that the robust, hybrid model improves top-N accuracy by 12–16% relative to a strong baseline, while maintaining 8–12% higher engagement in cold-start scenarios and reducing low-quality recommendations by 20–25% via anomaly filtering. Fairness-aware adjustments are anticipated to reduce within-genre and cross-language bias, with marginal trade-offs in overall ranking precision (<2%), deemed acceptable in user-centric evaluations. The study anticipates that context-aware components yield measurable gains in mobile and offline modes, where data sparsity is most pronounced. The theoretical contribution includes a formalized integration of robustness and fairness into hybrid recommender architectures, supported by empirical evidence across large-scale streaming data. The study contributes to knowledge by demonstrating a scalable, interpretable, and equitable music recommender that remains resilient under data sparsity and manipulation, while delivering consistent user-perceived relevance. Practical implications encompass guidelines for deploying hybrid recommender systems in production environments, strategies for balancing accuracy and fairness, and methodologies for continuous monitoring of robustness metrics. Limitations include potential generalizability constraints to markedly different catalog sizes and user bases, and dependence on high-quality metadata. Recommendations for future work emphasize extending the model to multilingual and cultural dimension-aware recommendations, investigating causal inference for user satisfaction, and exploring federated learning paradigms to preserve privacy without compromising performance.

Thesis Overview

This research is about designing, building, and evaluating a robust music recommendation system that can accurately predict what songs a user will enjoy while remaining reliable across different user groups and listening contexts. In plain terms, it asks: how can we create a recommender that not only suggests songs people like but also handles noise, sparse data, changing tastes, and diverse music catalogs without failing or producing biased results? Why it matters: effective music recommender systems enhance user satisfaction, increase engagement, and support musicians and platforms by promoting relevant content. Current systems often struggle with cold-start problems (new users or new tracks), data sparsity, and bias toward popular items. A robust system addresses these gaps by integrating multiple signals, rigorous evaluation, and fairness considerations, which together improve performance and user trust. What problem or knowledge gap it addresses: there is a need for a unified design that combines collaborative filtering with content-based signals and contextual factors, while explicitly testing robustness to adversarial inputs, data sparsity, and domain shift. Few studies simultaneously tackle accuracy, robustness, and fairness in a single, end-to-end framework within real-world music catalogs. What the researcher will do, step by step: 1) Literature synthesis to identify robust modeling approaches (hybrid recommender models, adversarial training, and fairness-aware metrics). 2) Define an end-to-end architecture that fuses user interaction data, audio-derived features, and contextual signals (time of day, device, location). 3) Data collection: assemble a diverse dataset from a mid-sized streaming platform, including user-item interactions (ratings, plays), item metadata, and audio features; target sample size about 200,000 user-session records and 50,000 tracks. 4) Model development: implement a hybrid model combining matrix factorization, neural collaborative filtering, and content-based encodings; incorporate regularization and fairness constraints. 5) Evaluation plan: use held-out test sets, cross-validation, and robustness checks against data sparsity and distribution shifts; apply regression-based and ranking metrics such as RMSE, MAP, and NDCG, plus fair-ranking metrics. 6) Analysis: perform ablation studies to assess contribution of each signal; conduct error analysis by user segments and track genres. 7) Ethical considerations: ensure user privacy, anonymize data, and assess bias implications. 8) Synthesis: summarize findings, discuss practical deployment considerations, and propose guidelines for maintaining robustness over time. Expected contribution: a validated, scalable framework for robust music recommendation that demonstrates improved accuracy, resilience to data sparsity and context shifts, and fairness-aware behavior, with concrete recommendations for deployment and ongoing evaluation.

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