ARTISTIC ELEMENTS IN EKPE MASQUERADE | Blazingprojects Postgraduate Thesis
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ARTISTIC ELEMENTS IN EKPE MASQUERADE

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Historical Evolution of Ekpe Masquerade
  • 2.2Cultural Significance of Ekpe Masquerade
  • 2.3Symbolism in Ekpe Masquerade
  • 2.4Rituals and Ceremonies Associated with Ekpe Masquerade
  • 2.5Costumes and Attire of Ekpe Masquerade
  • 2.6Music and Dance in Ekpe Masquerade
  • 2.7Role of Ekpe Masquerade in Community Development
  • 2.8Comparison of Ekpe Masquerade with Other Masquerade Traditions
  • 2.9Impact of Modernization on Ekpe Masquerade
  • 2.10Future Prospects of Ekpe Masquerade

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design and Methodology
  • 3.2Sampling Techniques
  • 3.3Data Collection Methods
  • 3.4Data Analysis Procedures
  • 3.5Ethical Considerations
  • 3.6Research Limitations
  • 3.7Research Validity and Reliability
  • 3.8Timeframe for Research Execution

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Demographic Profile of Ekpe Masquerade Participants
  • 4.2Perceptions and Attitudes towards Ekpe Masquerade
  • 4.3Economic Impact of Ekpe Masquerade
  • 4.4Social Cohesion and Community Engagement
  • 4.5Challenges and Opportunities for Ekpe Masquerade
  • 4.6Innovations and Adaptations in Ekpe Masquerade
  • 4.7Sustainability of Ekpe Masquerade Tradition
  • 4.8Recommendations for Preserving Ekpe Masquerade

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Conclusion and Summary of Findings
  • 5.2Implications for Cultural Preservation
  • 5.3Reflections on the Research Process
  • 5.4Contributions to Masquerade Studies
  • 5.5Future Research Directions

Thesis Abstract

This project report has been systematically organized to facilitate learning and build life skills, and varied activities are incorporated to make the process enjoyable. It also drew from published works of Art history, African culture and Art methodology, to educate and inform the public on the typical African culture that involves masquerade.
The researcher has also drawn the attention of upcoming researchers to the reawakening of the African art through realism. I hope that this text will be accessed and regarded as achieving my “ aims” at list, to some extent

Thesis Overview

<p> <strong>1.1 BACKGROUND HISTORY OF EKPE </strong><br><strong>MASQUERADE IN OHAFIA </strong><br>Ekpe masquerade is a popular masquerade among the Rivers, cross – river and Abia state of the federal republic of Nigeria. <br>According to the research made on the history of Ekpe masquerade it convincingly provide on specific date on when the Ekpe masquerade tradition started. <br>Hence the fact that Ekpe masquerade tradition has lasted for thousands of years still masks the topic a crucial one to be studied. <br>Several researcher conducted recently have proven originator or root of this tradition to be the Efik speaking people of cross river state, usually populated in the capital, calaba. <br>Nde Ohafia or Ohafia people Assimilated the Igba Ekpe (Ekpe festival) through their migration from Ndoni to Andoni as taught by the Ohafia folklore. <br>The research traced the origin of Ohafia propel as rebels of Owan, Benin Kingdom in the present Edo state of Nigeria. Their ancestors waged war against the authority they set off to settle in Ndoni. Ndoni is in Delta state while Andoni is in River state From Andoni the journey took through Mben, Isieke, Louur Ibeku, Bende, Ozu Abam and then to where we now call Ohafia. <br>The history has notified the Nde Ohafia to have assimilated the culture of Igba Ekpe from their host (Andoni). <br>For many years now, Nde Ohafia has retained the Igba Ekpe or Ekpe festival to mark their Age grade system in their various villages that make up the six autonomous communities are Ama <br>The village are specifed under their respective <br>Autonomous communities for a clear understanding <br>(1) Ama Ukwu Amangwu (capital) <br>(2) Ania <br>Abia <br>Akanu <br>Amankwu <br>Isingwu<br>Ndi Uduam Awoke <br>The capital is Abia. The name is acronym of the village. <br><strong>3. EBEM OHA</strong><br><strong>4. ISIAMA </strong><br>EBEM (Capital) Amaekpu <br>Ihenta Elu (the capital of Ohafial as well as <br>Ndi Amogu Ndi Anyia Orie (Extinct Ndi Okala the capitia of Isama Ndi Nku <br>Ndi Uduma Ukwu Nkwebi Obro, Okigwe <br><strong>5. OHAOFIA OHON AKU </strong><br>Amkue Okon Asaga Eziafor Ndi Ibe Ndi Orieke <br>The surrounding communities such as Arochukwu, Afikpo, Nkoro, Abirba, Item and Igbere have village with similar names. <br>The Age groups that celebrate the Igba Ekpe or Ekpe festival among the 25 village are under Listed. <br>1. Uke Abiriba <br>2. Uke Mekwaeme <br>3. Uke Oakome <br>4. Uke Amasiri <br>5. Uke Georfe <br>6. Uke Bianko <br>7. Uke Amogu <br>8. Uke Enyi <br>9. Uke ndenyi <br>10. Uke London <br>11. Uke Ozurumba <br>12. Uke Amekpu <br>13. Uke Damba <br>14. Uke <br>These are but few Age groups in Ohaofia communities. <br></p>

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