THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE | Blazingprojects Postgraduate Thesis
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THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Overview of Nigerian National Theatre
  • 2.2History of Nigerian National Theatre
  • 2.3Cultural Promotion in Nigerian National Theatre
  • 2.4Commercial Ventures in Nigerian National Theatre
  • 2.5Impact of Nigerian National Theatre on Society
  • 2.6Challenges faced by Nigerian National Theatre
  • 2.7Comparative Analysis of National Theatres globally
  • 2.8Success Stories of National Theatres as Cultural Promoters
  • 2.9Role of Government in Supporting National Theatres
  • 2.10Future Prospects of Nigerian National Theatre

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Methodology Overview
  • 3.2Research Design and Approach
  • 3.3Data Collection Methods
  • 3.4Sampling Techniques
  • 3.5Data Analysis Procedures
  • 3.6Ethical Considerations
  • 3.7Research Limitations
  • 3.8Validity and Reliability

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Overview of Findings
  • 4.2Cultural Impact Analysis
  • 4.3Economic Analysis of Nigerian National Theatre
  • 4.4Audience Perception and Engagement
  • 4.5Recommendations for Improvement
  • 4.6Comparison with International Standards
  • 4.7Sustainability Strategies
  • 4.8Future Directions

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Conclusion and Summary
  • 5.2Recap of Key Findings
  • 5.3Contribution to Knowledge
  • 5.4Implications for Policy and Practice
  • 5.5Recommendations for Further Research

Thesis Abstract

Africa has variety of Arts, craft and Religion which had contributed to the popularity of its society. From the
investigations made by archaeologists and anthropologists into the life of the people over the years, Art and
religion had played major roles in the development of the continent in the past and present life of the people.
The African masks which were used for religious and social purposes pioneered the European art. Picasso and
other artists preferred it to artistic expression of the classical and Renaissance art. According to Smeets (1975)
“our generation, in fact has only just discovered the magnificence of the so-called primitive cultures. In the
Paris of the young Picasso and Breque, African masks and sculpture had the impact of thunder.”
In Nigeria some early artifacts which were collected by K.C. Murray and some excavations which revealed the
Nok, Igboukwu and Ife artifacts to mention but a few gave insight into the rich heritage of Art objects, religion
and cultural practices which made the society a dynamic socio-cultural religious entity.
The ancestors of the Nigerian ethnic groups bequeathed objects especially sculptural forms in wood, metal, ivory
and terracotta. According to Eze (2008) “These materials were used by early sculptors using simple tools and
hands to turn them into sculptural pieces.” Symbolism was the driving force which produced the art works that
were used for utility, religious worship and the development of the ethnic groups.
Art, religion and the development of Nigerian ethnic group is not separated from each other. They compliment
each other and keep the traditional society going and alive. Anyachonkeye (2006) states Our people are guided by their ethos, the things they value and revere. They are firm believers in their cultural heritage the things that hold and bind them together. The norm and moral ethics can not be extricated from their material and non-material culture-morals, religion, food habit, dialect, values system and others.
Many Nigerian traditional ethnic groups in effect practiced art and religion in order to communicate with their
gods because of their belief in the human soul and spirit which are ever at work. Some of these gods were
worshiped in shrines with art objects. This kept the societies intact and developed.

Thesis Overview

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