TECHNIQUES OF CONSTRUCTING DUNDUN: ABDULAHI AYULLA IN PERSPECTIVE. A RESEARCH PROJECT TOPIC ON MUSIC | Blazingprojects Postgraduate Thesis generation to generation and with every generation experiencing a considerable level of"> generation to generation and with every generation experiencing a considerable level of">
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TECHNIQUES OF CONSTRUCTING DUNDUN: ABDULAHI AYULLA IN PERSPECTIVE. A RESEARCH PROJECT TOPIC ON MUSIC

 

Table Of Contents


Chapter ONE

INTRODUCTION

  • 1.1Introduction
  • 1.2Background of Study
  • 1.3Problem Statement
  • 1.4Objective of Study
  • 1.5Limitation of Study
  • 1.6Scope of Study
  • 1.7Significance of Study
  • 1.8Structure of the Research
  • 1.9Definition of Terms

Chapter TWO

LITERATURE REVIEW

  • 2.1Historical Overview of Dundun Construction
  • 2.2Traditional Techniques of Constructing Dundun
  • 2.3Modern Innovations in Dundun Construction
  • 2.4Cultural Significance of Dundun
  • 2.5Acoustic Properties of Dundun
  • 2.6Comparative Analysis of Different Dundun Construction Techniques
  • 2.7Global Influence on Dundun Construction
  • 2.8Impact of Technology on Dundun Making
  • 2.9Role of Materials in Dundun Construction
  • 2.10Evolution of Dundun Construction Techniques

Chapter THREE

RESEARCH METHODOLOGY

  • 3.1Research Design and Methodology
  • 3.2Sampling Techniques
  • 3.3Data Collection Methods
  • 3.4Data Analysis Procedures
  • 3.5Ethical Considerations in Research
  • 3.6Instrumentation Used in Data Collection
  • 3.7Reliability and Validity of Research Instruments
  • 3.8Limitations of the Research Methodology

Chapter FOUR

DATA PRESENTATION AND ANALYSIS

  • 4.1Analysis of Research Findings
  • 4.2Comparison of Dundun Construction Techniques
  • 4.3Impact of Cultural Factors on Dundun Making
  • 4.4Challenges Faced in Dundun Construction
  • 4.5Innovations in Contemporary Dundun Making
  • 4.6Future Trends in Dundun Construction
  • 4.7Recommendations for Improving Dundun Making
  • 4.8Implications of Findings on the Music Industry

Chapter FIVE

SUMMARY, CONCLUSION AND RECOMMENDATIONS

  • 5.1Summary of Findings
  • 5.2Conclusion
  • 5.3Contributions to the Field
  • 5.4Implications for Future Research

Thesis Abstract

Over the years music has become an art of inestimable value to the society, handed down from generation to generation and with every generation experiencing a considerable level of civilization, and has not been left behind. The music world has improved tangibly and this has gone a long way to affect the kind of music performed, and the types of instruments used in performances. 21st century music, as any observant would note, has witnessed a tremendous growth with new instruments being discovered and produced. One of the old instruments that seem neglected in the Yoruba popular music scene is the African talking drum popularly called the Dundun in the Yoruba popular music scene. This instrument has been handed down from generation to generation amongst the Yoruba people of Nigeria and has always proven to be an indispensable dream to so many musicians especially in the performance of traditional African music. This is as a result of the many qualities peculiar to the dundun drum. It is saddening to note however, that despite the obvious quality of the dundun drums, many people have failed to pay attention to the magic behind the ability of the dundun drum to stand out amongst its equals even in contemporary times. It is for this reasons that I have decided to concentrate basically on the constructional techniques of Dundun drum as my project. In the cause of writing this project I have endeavored to see that anyone who reads this project will not only discover the technicalities involved in constructing the dundun drums but will also come to appreciate the beauty of its sonority as an African traditional musical instrument. To carry out this research work I have decided to consult various literature /books and with some observation method as I observed the Abdullahi Ayulla in his workshop, as he constructed the dundun instrument. One of the ancient instruments that seem neglected in the traditional Yoruba popular music scene is the talking drum, popularly called the dundun.



Thesis Overview

<p>&nbsp; Music can be said to be abstract or non-figurative art that comes as an expression of emotional feelings to create diverse reactions in the heart of any listener depending on how it is performed. Africans are known to believe that music has magical powers embedded in it and could be used to invoke whatever deity they desire to invoke.<br><br><br></p>

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