COSTUMING AN ABSURD PLAY: CASE STUDY OF SAMUEL BECKETT’S WAITING FOR GODOT

Thesis Abstract

Abstract
Samuel Beckett's "Waiting for Godot" is a classic example of an absurd play that challenges traditional theatrical conventions and explores the human condition through existential themes. Costuming plays a crucial role in bringing the characters and the world of the play to life, especially in the context of an absurd drama where the boundaries between reality and illusion are blurred. This research project focuses on the costuming choices made in various productions of "Waiting for Godot" to analyze how different interpretations of the play can be conveyed through costume design. Through a comprehensive analysis of primary sources such as production photographs, costume sketches, and reviews, as well as secondary sources including scholarly articles and books on Beckett and absurd theatre, this research examines the ways in which costume designers have approached the challenge of visually representing the characters of Vladimir, Estragon, Pozzo, Lucky, and the elusive Godot. The study also delves into the symbolic significance of specific costume elements and how they contribute to the overall themes of the play. By conducting a comparative analysis of multiple productions of "Waiting for Godot," this research project aims to uncover recurring trends and innovative approaches in costuming an absurd play. It explores how different directors and designers have interpreted Beckett's sparse stage directions and enigmatic characters to create visually striking and thematically resonant costumes that enhance the audience's understanding of the play. Furthermore, this research project considers the practical challenges of costuming "Waiting for Godot," such as the limited set and props, the repetitive nature of the action, and the cyclical structure of the play. By examining how costume designers have navigated these constraints to create compelling visual aesthetics, this study sheds light on the creative processes involved in bringing Beckett's challenging text to the stage. In conclusion, the analysis of costuming in "Waiting for Godot" offers valuable insights into the interpretive possibilities of absurd theatre and the collaborative nature of theatrical production. By examining the intersection of text, performance, and design, this research project contributes to a deeper understanding of how costume choices can enrich the audience's experience of Beckett's masterpiece and illuminate the enduring relevance of his exploration of the human condition.