Thesis Abstract

Abstract
Virtual reality (VR) technology has rapidly emerged as an innovative tool with the potential to revolutionize various industries, including the field of theatre production. This thesis aims to explore the implications of integrating VR technology into theatre productions, investigating how this technology can enhance audience experiences and expand creative possibilities for theatre practitioners. The study delves into the theoretical foundations of VR technology and its application in immersive storytelling, examining the intersection between traditional theatre practices and cutting-edge digital technologies. The research begins with an introduction that highlights the growing relevance of VR technology in the context of contemporary theatre and sets the stage for the exploration of its impact on artistic expression and audience engagement. The background of the study provides a comprehensive overview of the evolution of VR technology and its adoption in diverse fields, emphasizing its potential to transform the traditional boundaries of theatrical performance. The problem statement identifies the gaps in existing literature regarding the integration of VR technology in theatre productions, underscoring the need for empirical research to elucidate the benefits and challenges associated with this innovative approach. The objectives of the study are outlined to investigate the effectiveness of VR technology in enhancing the immersive quality of theatrical experiences, fostering collaboration among theatre professionals, and pushing the boundaries of traditional storytelling conventions. Limitations of the study are acknowledged, recognizing the complexities of implementing VR technology in theatre settings and the potential constraints on the generalizability of findings. The scope of the study is defined to focus on the qualitative analysis of case studies and expert interviews to provide insights into the practical implications of using VR technology in theatre productions. The significance of the study lies in its potential to contribute to the theoretical discourse on the convergence of technology and performing arts, offering practical recommendations for theatre practitioners seeking to leverage VR technology in their creative endeavors. The structure of the thesis is outlined to guide readers through the comprehensive analysis of research findings and their implications for the future of theatre production. In the literature review, ten key themes are identified to explore the existing scholarship on VR technology in theatre, encompassing discussions on immersive storytelling, audience engagement, spatial design, virtual set construction, actor-audience interactions, and the ethical considerations of using VR in live performance settings. The review synthesizes diverse perspectives to inform the research methodology and conceptual framework of the study. The research methodology encompasses a mixed-methods approach, including qualitative case studies and semi-structured interviews with theatre professionals and VR technology experts. Eight key components of the methodology are delineated to ensure the rigor and validity of the research process, involving data collection, analysis, and interpretation to generate meaningful insights into the use of VR technology in theatre productions. The discussion of findings presents a detailed analysis of the empirical data collected from case studies and expert interviews, highlighting the opportunities and challenges associated with integrating VR technology into theatrical practices. The findings are contextualized within the theoretical framework of immersive storytelling, emphasizing the transformative potential of VR in redefining the boundaries of theatrical experience. In the conclusion and summary, the key findings of the study are synthesized to elucidate the implications for theatre practitioners, educators, and researchers interested in exploring the intersection of VR technology and theatre production. The conclusion reflects on the transformative power of VR in enhancing audience engagement, promoting interdisciplinary collaboration, and pushing the boundaries of traditional storytelling conventions in the digital age. Overall, this thesis contributes to the growing body of research on VR technology in theatre productions, offering practical insights and theoretical reflections on the potential of immersive technologies to shape the future of performing arts. By bridging the gap between traditional theatre practices and cutting-edge digital innovations, this study underscores the transformative potential of VR technology in redefining the boundaries of artistic expression and audience experiences in contemporary theatre. Word Count 589

Thesis Overview