Thesis Abstract

Abstract
This thesis investigates the intersection of traditional and contemporary performance practices in the field of Theatre Art. The study aims to explore how traditional theatrical techniques merge with modern approaches, shaping the dynamics of performance creation and audience engagement. Drawing on a diverse range of theoretical frameworks and practical examples, the research delves into the historical background of traditional theatre forms and their evolution in the context of contemporary theatre practices. The introduction sets the stage by highlighting the significance of this study in understanding the rich tapestry of performance traditions and their relevance in a rapidly changing artistic landscape. The background of the study provides a comprehensive overview of traditional and contemporary performance practices, tracing their origins and exploring key developments that have shaped their current manifestations. The problem statement identifies the gaps in existing literature and practice, pointing towards the need for a deeper exploration of how traditional and contemporary approaches can inform and enrich each other. The objectives of the study are outlined to guide the research process, aiming to analyze the benefits and challenges of integrating traditional and contemporary techniques in theatre production. Limitations of the study are acknowledged, recognizing the complexities inherent in comparing and contrasting diverse performance traditions. The scope of the study is defined to focus on specific examples and case studies that illustrate the intersection of traditional and contemporary practices. The significance of the study lies in its potential to offer insights into innovative ways of creating and experiencing theatre that honor tradition while embracing innovation. The structure of the thesis is outlined to provide a roadmap for the reader, detailing the organization of chapters and sub-sections. Definitions of key terms are provided to ensure clarity and coherence throughout the research. The literature review in Chapter Two critically examines existing scholarship on traditional and contemporary performance practices, highlighting key themes, debates, and trends in the field. Drawing on a wide range of sources, the review synthesizes diverse perspectives to offer a comprehensive overview of the subject. Chapter Three presents the research methodology, detailing the research design, data collection methods, and analytical approaches employed in the study. Various aspects of the research process, including sampling techniques, data analysis, and ethical considerations, are discussed to ensure the rigor and validity of the findings. Chapter Four is dedicated to a detailed discussion of the research findings, presenting insights and interpretations drawn from the analysis of traditional and contemporary performance practices. Through case studies and examples, the chapter showcases how traditional techniques are adapted and reimagined in modern theatre productions, highlighting the creative possibilities and challenges of this intersection. Chapter Five offers a conclusion and summary of the project thesis, synthesizing key findings, implications, and recommendations for future research and practice. The conclusion reflects on the contributions of the study to the field of Theatre Art and suggests avenues for further exploration in understanding the evolving dynamics of traditional and contemporary performance practices. In conclusion, this thesis offers a comprehensive exploration of the intersection of traditional and contemporary performance practices in Theatre Art, shedding light on the creative potential and challenges inherent in blending diverse theatrical traditions. Through a multidisciplinary approach and critical analysis, the study contributes to a deeper understanding of how tradition and innovation converge in shaping the vibrant landscape of contemporary theatre.

Thesis Overview