Thesis Abstract

Abstract
The integration of virtual reality (VR) technology into various fields has opened up new possibilities for enhancing user experiences and interactions. This thesis explores the potential applications and impact of VR technology in the context of theatre performances. The aim of this research is to investigate how VR technology can be used to create immersive and innovative theatrical experiences, pushing the boundaries of traditional theatre practices. The introduction provides an overview of the research topic, highlighting the growing interest in the intersection of technology and the arts. The background of the study delves into the evolution of theatre and technology, setting the stage for the exploration of VR in the performing arts. The problem statement identifies the gap in research regarding the specific application of VR in theatre and the need to address this gap through empirical investigation. The objectives of the study include examining the potential benefits and challenges of incorporating VR technology in theatre productions, as well as exploring the creative possibilities it offers to directors, designers, and performers. The limitations of the study are acknowledged, including constraints related to technology access, budget, and time. The scope of the study outlines the specific focus areas and research questions that will guide the investigation. The significance of the study lies in its contribution to the evolving landscape of theatre practice, offering insights into how technology can transform audience engagement and storytelling techniques. The structure of the thesis is outlined, detailing the chapters and sub-sections that will be covered in the research. Lastly, key terms are defined to provide clarity and context for the reader. Chapter Two presents a comprehensive literature review that examines existing research and case studies related to VR technology and its applications in theatre. The review covers topics such as audience immersion, spatial design, interactive storytelling, and the impact of VR on performer-audience dynamics. Chapter Three outlines the research methodology, including the research design, data collection methods, sample selection, and data analysis techniques. The chapter also discusses ethical considerations and the rationale behind the chosen approach. Chapter Four presents the findings of the study, incorporating data analysis, case studies, and examples of VR-enhanced theatre productions. The discussion explores the implications of the findings for theatre practitioners, scholars, and audiences, highlighting both the opportunities and challenges of integrating VR technology into live performances. Chapter Five concludes the thesis with a summary of the key findings, implications for practice, and suggestions for future research. The conclusion reflects on the potential of VR technology to revolutionize the theatre industry and offers recommendations for further exploration and experimentation in this exciting field. In conclusion, this thesis contributes to the growing body of research on the intersection of technology and the arts, specifically focusing on the innovative use of VR in theatre performances. By exploring the creative possibilities, challenges, and impact of VR technology in live theatre, this research aims to inspire new approaches to storytelling and audience engagement, shaping the future of theatrical experiences.

Thesis Overview