Entertainment Industry Economics: A Guide for Financial Analysis
Table Of Contents
Chapter ONE
1.1 Introduction1.2 Background of Study
1.3 Problem Statement
1.4 Objective of Study
1.5 Limitation of Study
1.6 Scope of Study
1.7 Significance of Study
1.8 Structure of the Research
1.9 Definition of Terms
Chapter TWO
2.1 Overview of Entertainment Industry Economics2.2 Economic Theories in Entertainment Industry
2.3 Financial Analysis in Entertainment Industry
2.4 Revenue Models in Entertainment Industry
2.5 Cost Structure in Entertainment Industry
2.6 Market Trends in Entertainment Industry
2.7 Impact of Technology on Entertainment Industry
2.8 Globalization of Entertainment Industry
2.9 Regulatory Environment in Entertainment Industry
2.10 Competitive Landscape in Entertainment Industry
Chapter THREE
3.1 Research Methodology Overview3.2 Research Design
3.3 Data Collection Methods
3.4 Sampling Techniques
3.5 Data Analysis Procedures
3.6 Ethical Considerations
3.7 Reliability and Validity
3.8 Limitations of Methodology
Chapter FOUR
4.1 Analysis of Financial Performance in Entertainment Industry4.2 Comparison of Key Financial Indicators
4.3 Case Studies in Entertainment Industry Economics
4.4 Impact of Economic Factors on Entertainment Industry
4.5 Financial Risks and Mitigation Strategies
4.6 Investment Opportunities in Entertainment Industry
4.7 Future Outlook and Projections
4.8 Managerial Implications and Recommendations
Chapter FIVE
5.1 Summary of Findings5.2 Conclusion
5.3 Recommendations for Future Research
5.4 Implications for Industry Practitioners
5.5 Contribution to Knowledge
Thesis Abstract
ABSTRACT
The entertainment industry is one of the largest sectors of the U.S. economy and is in fact becoming one of the most prominent globally as well, in movies, music, television programming, advertising, broadcasting, cable, casino gambling and wagering, publishing performing arts, sports, theme parks, toys and games. The eighth edition of Entertainment Industry Economics differs from its predecessors by inclusion of a new section on the legal aspects and limitations common to all such “experience” industries, reference to the emerging field of the psychology of entertainment, partial restructuring and expansion of the music chapter, enhancement of the section on advertising, and broadening of the coverage in the gaming and wagering chapter. The result is a comprehensive, up-to-date reference guide on the economics, financing, production and marketing of entertainment in the United States and overseas, that will interest investors, business executives, accountants, lawyers and arts administrators, and general readers will find that this book offers an invaluable guide to how entertainment industries operate. © Harold L. Vogel 1986, 1990, 1994, 1998, 2001, 2004, 2007, 2011
Thesis Overview
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