Thesis Abstract

Abstract
This thesis delves into the exploration of traditional and digital art techniques and their intersection in the realm of contemporary painting. The convergence of traditional and digital mediums has opened up new possibilities for artists, challenging the boundaries of artistic expression and pushing the boundaries of creativity. Through an in-depth analysis of various painting techniques, tools, and technologies, this research aims to provide a comprehensive understanding of how artists are blending traditional methods with digital tools to create innovative and captivating artworks. Chapter One sets the foundation for the study, starting with the Introduction which provides an overview of the research topic. The Background of Study delves into the historical context of traditional and digital art techniques, highlighting their evolution over time. The Problem Statement identifies the gaps in current literature and practice, emphasizing the need to explore the intersection of these techniques. The Objectives of Study outline the specific goals and aims of the research, while the Limitations of Study acknowledge the constraints and challenges faced during the research process. The Scope of Study delineates the boundaries within which the research operates, and the Significance of Study emphasizes the potential impact and contributions of the research. Lastly, the Structure of the Thesis provides an overview of how the research is organized, guiding the reader through the subsequent chapters. Chapter Two presents a comprehensive Literature Review that critically examines existing scholarship on traditional and digital art techniques in painting. The review covers a range of topics including the history of painting, traditional painting techniques, digital art tools, and the integration of traditional and digital methods in contemporary art practice. By synthesizing key findings from previous studies, this chapter provides a theoretical framework for understanding the intersection of traditional and digital art techniques. Chapter Three focuses on the Research Methodology employed in this study. It outlines the research design, data collection methods, sampling techniques, and data analysis procedures. The chapter also discusses ethical considerations and limitations that influenced the research process. By detailing the methodology, this chapter offers insight into how the research was conducted and the rationale behind the chosen approach. Chapter Four presents the Discussion of Findings, where the research results are analyzed and interpreted in relation to the research objectives. Through a detailed examination of the data collected, this chapter explores the implications of blending traditional and digital art techniques in contemporary painting. The findings are contextualized within the broader landscape of art practice, shedding light on the innovative approaches adopted by artists. Chapter Five serves as the Conclusion and Summary of the thesis, summarizing the key findings, implications, and contributions of the research. The chapter also reflects on the limitations of the study and offers recommendations for future research in this area. By synthesizing the research outcomes, this chapter provides a comprehensive overview of the exploration of traditional and digital art techniques in contemporary painting. In conclusion, this thesis contributes to the growing body of knowledge on the intersection of traditional and digital art techniques in contemporary painting. By examining how artists are integrating these diverse mediums, the research sheds light on the evolving landscape of artistic practice and the potential for innovation in the field. Through a rigorous exploration of painting techniques, tools, and technologies, this study offers valuable insights for artists, scholars, and enthusiasts interested in the dynamic intersection of traditional and digital art in the realm of contemporary painting.

Thesis Overview