Thesis Abstract

Abstract
This thesis investigates the convergence of traditional and digital art techniques in contemporary portraiture, aiming to explore the dynamic relationship between these two forms of artistic expression. The study delves into the evolving landscape of artistic practices, where artists are increasingly blending traditional methods with digital tools to create innovative and visually captivating portraits. Through a comprehensive analysis of both historical artistic traditions and modern technological advancements, this research seeks to shed light on the ways in which artists are pushing the boundaries of portraiture through the integration of traditional and digital techniques. The introduction sets the stage for the study by providing an overview of the significance of the topic and outlining the research objectives. The background of the study delves into the historical context of traditional portraiture and the emergence of digital art techniques, highlighting the evolution of artistic practices over time. The problem statement identifies the gaps in existing literature and underscores the need for a deeper exploration of the intersection between traditional and digital art in contemporary portraiture. The objectives of the study are delineated to elucidate the specific goals and aims of the research, while the limitations of the study acknowledge the constraints and challenges that may impact the scope of the investigation. The scope of the study defines the boundaries within which the research will be conducted, focusing on key aspects of traditional and digital art techniques in portraiture. The significance of the study underscores the potential contributions of the research to the fields of fine arts and digital media, emphasizing its relevance and importance. The structure of the thesis provides a roadmap for the organization of the research, outlining the chapters and sub-sections that will guide the reader through the study. The definition of terms clarifies key concepts and terminology used throughout the thesis, ensuring a clear understanding of the subject matter. The literature review in Chapter Two critically examines existing scholarship on traditional and digital art techniques in portraiture, synthesizing key findings and identifying trends in artistic practices. The research methodology in Chapter Three outlines the approach and methods used to investigate the research questions, including data collection, analysis, and interpretation. Chapter Four presents a detailed discussion of the findings, exploring the ways in which artists are combining traditional and digital techniques to create compelling portraits. The chapter analyzes specific case studies and examples to illustrate the creative possibilities that arise from this intersection of artistic practices. In the conclusion and summary chapter, Chapter Five, the key findings of the study are summarized, and the implications of the research are discussed. The conclusion reflects on the significance of the research and offers insights into future directions for further exploration in the field of traditional and digital art in contemporary portraiture.

Thesis Overview