Project Abstract

Abstract
Satire in contemporary African drama has been a powerful tool for playwrights to critique societal issues and political corruption. This research focuses on analyzing the use of satire in two prominent African plays "Harvest of Corruption" by Frank Ogodo Ogbeche and "Death and the King's Horseman" by Wole Soyinka. Through a comparative case study approach, this research examines how these playwrights employ satire to address corruption, power dynamics, and cultural clashes in African societies. In "Harvest of Corruption," Ogbeche satirically portrays a corrupt government official, Chief Haladu Ade-Amaka, who represents the pervasive corruption in Nigerian society. The play uses humor and irony to expose the greed and moral decay of those in power, highlighting the negative impact of corruption on the lives of ordinary citizens. Through satire, Ogbeche critiques the lack of accountability and transparency in Nigerian governance, shedding light on the systemic issues that perpetuate corruption. Similarly, in Soyinka's "Death and the King's Horseman," satire is used to explore the clash between traditional African beliefs and colonial imposition. The play satirizes the British colonial officers' ignorance and arrogance as they attempt to interfere with the Yoruba ritual of the King's horseman's suicide. Soyinka employs humor and irony to critique the cultural imperialism and misguided interventions of the colonial powers, highlighting the destructive consequences of cultural insensitivity and intervention. By analyzing the satirical techniques employed in these two plays, this research aims to shed light on the power of satire as a tool for social commentary and critique in contemporary African drama. Through their sharp wit and comedic elements, Ogbeche and Soyinka challenge the status quo, provoke critical thinking, and encourage audiences to reflect on the complex issues facing African societies. The plays serve as a mirror to society, reflecting the absurdities and injustices that exist, while also offering a platform for dialogue and reflection on how to address these pressing issues. Overall, this research contributes to the scholarly understanding of satire in contemporary African drama and highlights the important role that playwrights play in challenging societal norms and advocating for positive change. Through their incisive and thought-provoking works, Ogbeche and Soyinka demonstrate the power of satire to engage audiences, stimulate conversation, and inspire action towards a more just and equitable society.

Project Overview

INTRODUCTION

Background of the study

The literature of people is the one that seeks to discuss, expose and propose solutions to the daily problems of society, be it social, economic, moral, political or otherwise. Since literature is seen as reflecting life, literature and society are inseparable. To a certain extent this inspires literary artists who bring theories into the literature to affect their art in order to propose solutions to these problems and to show the way forward.

Satire is a kind of literature and sometimes graphic and performing arts, where vices, follies, abuses and falsities are bound to ridicule ideally with the intention of humiliating individuals and society itself, Even in improvement although Satire is usually funny, A more important purpose is often social corrective or constructive criticism using the mind as a weapon. Satire is now found in many forms of artistic expression, including literature, plays commentary and media. The word satire comes from the Latin word Satur and from the following sentence LanxSatura. Saturation meant “complete”, but the juxtaposition with Lanx moved the meaning of “variety or pastiche”, meaning a combination of different kinds. The Satirist uses a range of stylistic methods that can include irony, mockery, and Exaggeration and so on to attack madness.

According to Charles Sanders, satire dissipates the illusions that man needs to live. Because he always deals with the contemporary, he runs the risk of living only a short life. It is said that satire offers neither the escape of comedy nor the purgation of tragedy. It is only a mixture of unresolved irritating pleasure (15)

Satire is a creative genre in which the criticism of certain cultural or other activities is manifested by a strong use of irony and sarcasm. This type of criticism can be humorous, although entertainment and humor are not necessarily the main goals, humor is often used to compensate for the harshness of the criticism itself. Satire works effectively in a society that is aware of the acceptable standards of morality and manner. To achieve this goal, the satirist must take certain values ​​against which one can depict a sudden drop in the standard of behavior or aberration.

In general, someone uses this type of criticism to show offense or offense to someone else’s actions or words. It can be expressed in several different ways, however, and direct criticism can ultimately feel like a person is simply “preaching” his opinion to others, using more creative methods allows someone to express the idea In a more disarming manner, the real message of the criticism to more clearly come across, often the use of the mind, sarcasm and irony.

As Adeseeke (2008) pointed out, a large-scale introduction to the dramatic writings of Wole Soyinka and a thorough and complete study of satire in fourteen of the Childe International Soyinka plays to King Baabu and sketches before the Blackout. Ebewo Patrick treats satire as an instrument of criticism, a literary genus and an establishment in society. He reconnoiters the antiquity and definition of sarcasm in various cultural contexts, approaching Soyinka as an African satirist influenced by Western and African satirical modes. He considers the functions of comic and tragic satire in Soyinka’s exhibitions on the African socio-political scene and politicians, religious hypocrites, mystical opportunists, avid women and prostitutes. The author also suggests some reflections on the effectiveness of Soyinka satire and literature as a weapon for addressing contemporary problems and effecting change in society (Ebewo, 2002).

Frank OgodoOgbeche showed how corruption permeates government institutions and every fabric of the society as well as the devastating effect corruption has on our everyday life.

1.2       Statement of the problem

Satire as a literary device is a specific aspect of literature and it is one of many devices that express the idea through language. This is a style adopted by many writers and the different styles adopted by a writer allow him to tell his story and the difference between writers working is what they are known for. Satire has not been misused as a corrective tool or means for societal ills. However, satire seeks to create a shock of recognition and to make vice repulsive or disgusting so that vice is redacted from the person or society attacked in order to restore morality. The overwhelming socio-political problems facing the African continent can rarely be ignored by African writers. Ogunba (2009: 21) thus expresses this concern: When the writer in his own society can no longer function as a consciousness, he must recognize that his choice is between totally refusing or retiring to the position of postmortem chronicler and surgeon. The artist has always worked in African society as the record of manners and experiences of his society and as the voice of vision in his own time. The above explains the fact that dramatists are part of their societies and therefore have a Better explanation of what is going on around them as they function as the conscience of society. They are committed to restoring order in their communities, which have been engulfed in a myriad of socio-political and economic disorder. This patriotic ideal, burning with playwrights,

According to Awodiya, (2010: 33) is to use the weapon we have; our pen, our zeal and our eloquence to awaken in us the song of liberation with our writings. We wash the stigma of inferiority, awaken our dormant energies, unmask the pests and traitors among us, and preach positive sermons. Since the days of the Greek philosopher Socrates, writers have been at the forefront of social change, defying the mores of oppressive society. The mode of the artist to evaluate the socio-political system in a society is satire; a form of writing that mocks the bad or senseless behavior of people, institutions and society in general.

1.3       Aims and Objectives.

This study aims at studying Frank OgodoOgbeche the “Harvest of Corruption” and Wole Soyinka Beyond the “Death and the Kings Horseman” how they uses satire to bring to the knowledge of individuals that the correction or reconstruction of the society begins with oneself and this became of paramount importance because this is another way of sensitizing the people about social ills.

Specifically, the study sought to

analyzethe harvest of corruption regarding satire in contemporary African drama

determine the roles of all characters in harvest of corruption

examine the death and the king’s horseman on the basis of satire in contemporary African drama

assess satire as a dramatic tool for societal reformation

1.4       Justification of Study

The text Harvest of Corruption” and the “Death and the Kings Horseman areContemporary drama embellishes satirical beauty, but little or no attention has been paid to this quality of text. This research aims to study the importance of satire as a literary genre used to correct societal abnormalities and human aberrations. The purpose of this research is to investigate the relevance of satire to its effects on society as it helps to eliminate the problems that militate against national development.

Criticism has always involved a systematic measurement of good and evil. Satire as a literary apparatus is not used by writers just for entertainment and mockery; it is used to tell more about the evils or wrongs happening in society. Research therefore aims at discussing Satire as a literary phenomenon in society in general and encouraging humanity to mobilize in society for development purposes

On the other hand, the need to study works of art is very important because it is an abstract exhibition intended to appeal to the interests and emotions of persons whom the disciplines of aesthetics would call or designate as “Arts for the good of the arts”, Our contemporary society with the aim of effecting total change because society also needs to know better the contribution of its various citizens.

1.5       Methodology

In this study, the library strategy is embraced for its suitability and convenience. This methodological methodology entails data collection from secondary sources such as serious works, treatises, and documented materials usually from the library, the internet, and the book stores for the purpose of interpreting the primary texts. This relates to the qualitative research methodology used mostly in the Humanities disciplines as a means of collecting a variety of empirical data on case studies, individual encounters or contemplation, life story, interviews, observation, historical narratives, visual texts, which describe routine and problematic moments and meaning in the life of an individual.

1.6       The Scope of Study

The scope of this study is limited or restricted to the chosen text Harvest of Corruption” and the “Death and the Kings Horseman. It should be noted that there are many other literary devices used in the text such as comparison, humor, humor, satire, irony, etc. However our attention will be on the satire that the text itself is satirical in nature by highlighting the characteristics that characterizes it as satire.

1.7       Definition of Terms

Satire:Is a term applied to any work of literature or art whose objective is the ridiculous. It is more easily recognized than defined. Satire is a literary medium that combines a critical attitude with humor and spirit in order to improve humanity. Since ancient times, the Satirists have shared a common goal which is to expose stupidity in all its forms, vanity, hypocrisy, pedantry, idolatry, bigotry, semi-mentality, etc.

Contemporary:Is occurring in the present regardingwritings being ironic and mirrors a society’s political, social and personal outlooks.

Drama:Is an opus in verse or prose intended to represent life or character or to tell a story generally involving conflicts and emotions through action and dialogue and typically designed for theatrical performance

Satire In Contemporary African Drama: A Case Study Of Harvest Of Corruption By Frank Ogodo Ogbeche And Death And The Kings Horseman By Wole Soyinka